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Everly Brothers

Brother Duets in Country Music

Duos/Deuts – General

  • Benjamin Givan, “Duets for One: Louis Armstrong’s Vocal Recordings,” Musical Quarterly 87, no. 2 (2004): 188-218.
  • Marilyn Blank and Jane W. Davidson, “An Exploration of the Effects of Musical and Social Factors in Piano Duo Collaborations,” Psychology of Music 35, no. 2 (2007): 231-48.

Origins and Influences



  • James Beament, How We Hear Music: The Relationship between Music and the Hearing Mechanism (Rochester, NY: Boydell Press, 2001).
  • Sean Cubitt, “‘Maybellene’: Meaning and the Listening Subject,” Popular Music 4 (1984): 207-24.
  • Bruno Deschênes, “Toward an Anthropology of Music Listening,” International Review of the Aesthetics and Sociology of Music 29, no. 2 (1998): 135-53.
  • Charles Hamm, “The Fourth Audience,” Popular Music 1 (1981): 123-41.
  • Charles Keil, “Participatory Discrepancies and the Power of Music,” Cultural Anthropology 2, no. 3 (1987): 275-83.
  • David Schwarz, Listening Subjects: Music, Psychoanalysis, Culture (Durham: Duke University Press, 1997).
  • Gill Valentine, “Creating Transgressive Space: The Music of kd lang,” Transactions of the Institute of British Geographers 20, no. 4 (1995): 474-85.

Listening/Hearing – Scientific Perspective


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